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Which is Better?

The Asmuse ADE-30 comes out on top, offering a broader sound library, better triggering technology, and additional features. The AED-500 remains a solid choice for beginners who want a decent e-drum kit with good features and a larger kick-pad.

AODSK AED-500 vs Asmuse ADE-30 (2024) Head to Head

When comparing the AODSK AED-500 and Asmuse ADE-30 electronic drum sets, both offer unique features that cater to different preferences and playing styles. The AED-500 boasts a larger kick pad and a more traditional mesh material for the tom pads while the ADE-30 shines with its wider array of sounds, dual-trigger cymbal pads, and the inclusion of a crash cymbal choke feature.

Key Differences

The AED-500 offers a more substantial 8-inch kick pad compared to the ADE-30's 5-inch pad, potentially providing a more satisfying feel for bass drum techniques.

The AED-500 uses traditional mesh for its tom pads, which is favored for its realistic rebound and feel, while the ADE-30 employs DTX Silicone, known for its durability and unique response.

The ADE-30 edges out with 440 sounds against the 225 provided by the AED-500, offering a broader palette for creative expression.

The ADE-30's cymbal pads feature dual-trigger capability, allowing for distinct sounds, unlike the single-trigger cymbal pads of the AED-500.

The cymbal choke feature in the ADE-30 adds an extra layer of expressiveness by allowing players to mute the crash cymbal sound, a feature absent in the AED-500.

The AED-500 is equipped with the AED-500, while the ADE-30 uses the ADE-30.

Kick Pad Size
8-inch
5-inch
Number of Sounds
225
440
Drum Module Name
AED-500
ADE-30

Key Features in Common

Both sets use a tower configuration for the kick drum, providing stability and a realistic pedaling experience.

An 8-inch snare pad on both sets offers a compact yet responsive surface for practicing snare drum techniques.

MIDI-over-USB is available on both models, facilitating easy connection to computers and other MIDI-compatible devices for recording or sound expansion.

Both models come with similar-sized hi-hat and ride cymbals, and each includes one crash cymbal pad, maintaining a standard electronic drum set configuration.

Kick Type
Tower
Tower
Snare Pad Size
8-inch
8-inch
MIDI Connectivity
MIDI-over-USB
MIDI-over-USB

Check out the AED-500 in action.

And here's a video of the ADE-30.

Price Comparison Between The AED-500 and ADE-30

Use the below to get up-to-date prices for both the AED-500 and ADE-30

We have included a head-to-head comparison of the specs and features on both the AED-500 and ADE-30.

Hi-Hat

Hi-Hat Size (Inches)
10-inch
10.5-inch
Hi-Hat Type
Electronic hi-hat pedal
Electronic hi-hat pedal

Cymbal Pads

Ride Cymbal Pad Size (Inches)
10-inch
10.5-inch
Ride Cymbal Zones
Single-Trigger
Dual-Trigger
Number of Crash Cymbal Pads
1
1
Crash Cymbal Sizes
10"
10.5
Crash cymbal choke
No
Yes

Toms

Tom pad sizes
8", 8", 8"
8", 8", 8"
Number of Tom Pads
3
3
Tom Pad Material
Mesh
DTX Silicone
Tom Zones
Single-Zone
Single-Zone

Drum Module

Number of Sounds
225
440
Drum Module Name
AED-500
ADE-30
Metronome
Yes
Yes
On-Board Recording (of internal sounds)
Yes
Yes
Additional Pad/Cymbal Inputs
0
1
Audio Outputs
1 Output
1 Output
Audio Input (Auxiliary Input)
1/8" inch
1/8" inch
Effects and Sound Editing Capabilities
Low
Average
MIDI Connectivity
MIDI-over-USB
MIDI-over-USB
Number of Kits
15
20

Snare

Snare Mount Type
Mounted to Rack
Mounted to Rack
Snare Pad Size
8-inch
8-inch
Snare Pad Material
Mesh
Mesh
Snare Zones
Single-Zone
Dual-Zone

Kick

Kick Type
Tower
Tower
Kick Pad Material
Rubber
Rubber
Kick Pad Size
8-inch
5-inch

Overview

Verdict

The choice between the AODSK AED-500 and Asmuse ADE-30 comes down to what the player values more in their playing experience. The AED-500, with its larger kick pad and mesh tom pads, might be more suited for those who prioritize the physical feel of the kit. The ADE-30, however, with its extensive sound library, dual-trigger cymbal pads, and crash cymbal choke, is likely the better option for those who focus on sound diversity and expressive capabilities.

Matt Taylor

Matt Taylor

I'm Matt Taylor, a guitarist with a genuine love for music. I've had the pleasure of playing in a few bands and collaborating with some amazing artists along the way. As a music journalist, my goal is to share my passion and learnings with you while keeping my finger on the pulse of emerging trends and talents.