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At a Glance

The AODSK AED-600 is a better option, offering a comprehensive package for those looking to bridge the gap between practice and professional performance, with its expansive sound library, larger pad sizes, and enhanced connectivity options, making it a solid investment for serious players.

AODSK AED-600 vs AODSK AED-403 (2024) Head to Head

When comparing the AODSK AED-600 with the AODSK AED-403, it's clear that both sets cater to different segments of the electronic drum market. The AED-600 emerges as a more feature-rich option, suited for players seeking a broader range of sounds and a more responsive playing experience. On the other hand, the AED-403 positions itself as an accessible entry-level kit, focusing on the essentials.

Key Differences

The AED-600 features a tower kick, offering a more realistic pedal feel and response, whereas the AED-403 uses a trigger pedal.

The AED-600's 10-inch, dual-zone snare provides a larger surface area and a more authentic playing experience, compared to the 6.5-inch, single-zone snare of the AED-403.

With 400 sounds and 25 preset kits, the AED-600 offers a wide palette for creative expression, significantly surpassing the 195 sounds and 15 kits available in the AED-403.

The AED-600 includes larger cymbal pads, enhancing the playing experience with sizes closer to acoustic sets.

The AED-600 features onboard recording, allowing for recording and playback of performances, a valuable tool for practice and composition not found in the AED-403.

The AED-600 provides more connectivity options, accommodating expansion and integration with external audio equipment, whereas the AED-403 has more limited connectivity.

The AED-600 is equipped with the AED-600, while the AODSK AED-403 uses the AED-403.

Kick Type
Tower
Trigger Pedal
Snare Pad Size
10-inch
6.5-inch
Number of Sounds
400
195
Drum Module Name
AED-600
AED-403

Key Features in Common

Both sets feature MIDI-over-USB connectivity, facilitating easy integration with DAWs and software for expanded creative possibilities.

Both kits include mesh pads, preferred for their realistic feel and quieter operation, making them suitable for practice in various environments.

Both models feature single-zone toms, focusing on simplicity and ease of use, ideal for foundational drumming practices.

Both have electronic hi-hat pedals, offering a practical solution for compact setups and silent practice.

MIDI Connectivity
MIDI-over-USB
MIDI-over-USB

Check out the AED-600 in action.

And here's a video of the AODSK AED-403.

Price Comparison Between The AED-600 and AODSK AED-403

Use the below to get up-to-date prices for both the AED-600 and AODSK AED-403

We have included a head-to-head comparison of the features on both the AED-600 and AODSK AED-403.

Hi-Hat

Hi-Hat Size (Inches)
12-inch
10-inch
Hi-Hat Type
Electronic hi-hat pedal
Electronic hi-hat pedal

Cymbal Pads

Ride Cymbal Pad Size (Inches)
13-inch
10-inch
Ride Cymbal Zones
Single-Trigger
Single-Trigger
Number of Crash Cymbal Pads
1
1
Crash Cymbal Sizes
12
10"

Toms

Tom pad sizes
8", 8", 8"
6.5"
Number of Tom Pads
3
3
Tom Pad Material
Mesh
Mesh
Tom Zones
Single-Zone
Single-Zone

Drum Module

Number of Sounds
400
195
Drum Module Name
AED-600
AED-403
Metronome
Yes
Yes
On-Board Recording (of internal sounds)
Yes
No
Additional Pad/Cymbal Inputs
2
0
Audio Outputs
2 Main Outputs(Left and Right)
1 Output
Audio Input (Auxiliary Input)
1/8" inch
1/8" inch
Effects and Sound Editing Capabilities
Average
Low
MIDI Connectivity
MIDI-over-USB
MIDI-over-USB
Number of Kits
25
15

Snare

Snare Mount Type
Mounted to Rack
Mounted to Rack
Snare Pad Size
10-inch
6.5-inch
Snare Pad Material
Mesh
Mesh
Snare Zones
Dual-Zone
Single-Zone

Kick

Kick Type
Tower
Trigger Pedal
Kick Pad Material
Mesh
-
Kick Pad Size
6-inch
-

Overview

Verdict

In summary, your choice between the AED-600 and AED-403 should be guided by your skill level, space considerations, and the specific features that will best support your drumming journey.

Matt Taylor

Matt Taylor

I'm Matt Taylor, a guitarist with a genuine love for music. I've had the pleasure of playing in a few bands and collaborating with some amazing artists along the way. As a music journalist, my goal is to share my passion and learnings with you while keeping my finger on the pulse of emerging trends and talents.