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At a Glance

Choose the TD516 if you want Roland's digital snare, hi-hat and ride in a rack setup that is easier to fit into a practice room. Choose the TD716 if you need a fourth tom, the PD-14DSX snare controls or separate balanced outputs for a stage or studio rig. Both offer multichannel USB recording, so the flagship is not necessary just to record individual drums into a DAW.

Roland TD516 vs Roland TD716 (2026) Head to Head

The Roland TD516 and TD716 both give you a digital snare, hi-hat and ride, so this is not a choice between a basic kit and a fully digital setup. The question is whether the TD716's extra tom, larger drum layout and V71 connections solve a problem in your playing or recording setup.

The TD516 combines the V51 module with three rack-mounted toms and a KD-12 kick tower. The TD716 moves to four toms, an 18-inch kick shell and the V71 module. Below, we look at what those changes mean before you commit to the larger kit.

Key Differences

The TD516 includes the 14-inch PD-140DS digital snare. The TD716 uses the PD-14DSX, which adds a physical snare throw-off and tension control. That gives the flagship a different way to control snare response; the matching diameter does not make the two pads identical.

There are three TD516 toms: two 10-inch PD-10P pads and one 12-inch PD-12P. The TD716 supplies two 10-inch PD-10X and two 12-inch PD-12X pads. Its fourth tom is useful for players whose fills already depend on that layout. The crashes also grow from 12 and 14 inches to a pair of 16-inch pads.

The TD516's KD-12 has a 7.5-inch playing surface. The TD716's KD-18-BK is built around an 18-inch shell. Shell size and trigger-surface size describe different things, so do not read those numbers as a direct comparison of the area your beater strikes.

For analog recording or live routing, the V51 provides stereo main outputs and two direct outputs. The V71 adds balanced main connections and eight balanced direct outputs. This matters when several drum signals must reach a mixer separately without relying on a computer.

The Roland TD516 is equipped with the V51, while the Roland TD716 uses the V71.

Kick Type
Tower
Full-Sized Kick Drum
Drum Module Name
V51
V71

Key Features in Common

Both kits include the VH-14D digital hi-hat and CY-18DR digital ride. You get the same 14-inch hi-hat and 18-inch ride hardware whichever kit you choose, with a conventional hi-hat stand required.

The V51 and V71 share Roland's current sound-engine family, sample import and Bluetooth audio for backing tracks. Both can send 32 audio channels to a computer in vendor USB mode with the appropriate Roland driver. Generic USB mode is stereo, so check the selected mode before planning a multitrack session.

Snare Pad Size
14-inch
14-inch
Bluetooth Connection
Yes
Yes
MIDI Connectivity
MIDI-over-USBMIDI-5-Pin
MIDI-over-USBMIDI-5-Pin
Audio over USB (for recording)
Yes
Yes
Custom sampling
SD card
SD card

Allow space for the whole playing position, including the throne and hi-hat stand. Roland's example layouts are about 1.6 by 1.2 metres for the TD516 and 1.65 by 1.5 metres for the TD716. Your preferred rack angles and cymbal positions will affect the final setup.

Neither standard kit includes a kick pedal, snare stand, hi-hat stand or throne. These are separate purchases unless the retailer explicitly lists an accessories bundle. Both supplied digital-pad sets occupy all three digital inputs; those ports are not spare expansion connections.

Price Comparison Between The Roland TD516 and Roland TD716

Use the below to get up-to-date prices for both the Roland TD516 and Roland TD716

We have included a head-to-head comparison of the features on both the Roland TD516 and Roland TD716.

Hi-Hat

Hi-Hat Size (Inches)
14-inch
14-inch
Hi-Hat Type
Acoustic-style hi-hat stand
Acoustic-style hi-hat stand
Hi-Hat Model
VH-14D
VH-14D

Cymbal Pads

Ride Cymbal Pad Size (Inches)
18-inch
18-inch
Ride Cymbal Zones
Triple-Trigger
Triple-Trigger
Ride Cymbal Pad Model Number
CY-18DR
CY-18DR
Number of Crash Cymbal Pads
2
2
Crash Cymbal Sizes
12 in, 14 in
16 in, 16 in
Crash cymbal choke
Yes
Yes
Crash Cymbal Pad Model Numbers
CY-12C-T; CY-14R-T
CY-16R-T x2

Toms

Tom pad sizes
10 in, 10 in, 12 in
10 in, 10 in, 12 in, 12 in
Number of Tom Pads
3
4
Tom Pad Material
Roland Mesh
Roland Mesh
Tom Zones
Dual-Zone
Dual-Zone

Drum Module

Drum Module Name
V51
V71
Notes (Cons)
The TD516 uses all three digital inputs for its supplied snare, hi-hat and ride.
A DrumLink hub uses one digital input over USB. Adding it beside three Roland digital pads requires a different connection setup.
Display
4.3-inch colour LCD
4.3-inch colour LCD
Bluetooth Connection
Yes
Yes
Metronome
Yes
Yes
On-Board Recording (of internal sounds)
Yes
Yes
Additional Pad/Cymbal Inputs
4
4
Audio Outputs
Two unbalanced 1/4-inch main channels plus two unbalanced 1/4-inch direct channels; 1/4-inch and 1/8-inch headphones.
Two balanced main channels (mirrored XLR and 1/4-inch connectors) plus eight balanced 1/4-inch direct channels; 10 independent output channels.
Audio Input (Auxiliary Input)
1/4" inch
1/4" inch
MIDI Connectivity
MIDI-over-USBMIDI-5-Pin
MIDI-over-USBMIDI-5-Pin
Audio over USB (for recording)
Yes
Yes
Custom sampling
SD card
SD card
Number of Kits
200
200

Snare

Snare Mount Type
Snare Stand
Snare Stand
Snare Pad Size
14-inch
14-inch
Snare Pad Material
Roland Mesh
Roland Mesh
Snare Zones
Dual-Zone
Dual-Zone
Rim Shots
Yes
Yes
Cross-sticking
Yes
Yes
Snare Pad Model
PD-140DS
PD-14DSX

Kick

Kick Type
Tower
Full-Sized Kick Drum
Kick Pad Size
7.5-inch
-
Kick Pad Model
KD-12
KD-18-BK (18-inch shell)

Overview

Verdict

The TD516 covers the important digital-pad and computer-recording requirements without the TD716's larger layout. The TD716 makes sense when its additional tom, snare controls and analog routing are things you will use.

If acoustic-style shells are also on your shortlist, see our Roland TD716 vs Roland VAD716 comparison. For a smaller step in the range, see Roland TD316 vs Roland TD516.

Matt Taylor

Matt Taylor

I'm Matt Taylor, a guitarist with a genuine love for music. I've had the pleasure of playing in a few bands and collaborating with some amazing artists along the way. As a music journalist, my goal is to share my passion and learnings with you while keeping my finger on the pulse of emerging trends and talents.